Behind a Hill
Mar 14, 2012 | IMDB 4.5
60 min Watch NowDocumentary, Music
This documentary is a journey into our own fascination, a collection of portraits of folk musicians living in New England, and a study of the ground on which their music is founded. We listen to them as they tell their stories and play their music. First and foremost, Behind a Hill is a tribute to these musicians and a rare peep into the house parties and basement jams of New England, in the northwestern corner of the USA, with the vain hope attached that maybe you, the viewer, will grow as fond of the music as we have. When we first encountered these musicians, we were overwhelmed by the quality of their musical output. We were entranced by the melodies, harmonies, rhythms, and tempos and every other element that constitutes a song (or, as is often the case, a piece of abstract drone music, heavy feedback, or someone banging a steel pipe against a bag of dirt while chanting in a yet undiscovered language, or...).
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Runrig: Day of Days (The 30th Anniversary Concert)
A Child’s Garden and the Serious Sea
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Without Getting Killed or Caught
Strokkur
AURORA HAIK
Amy
Timeless: The Composer/Arranger Series (Arthur Verocai)
SIMILAR MOVIES
The Kelly Family - We Got Love - Live
IMDB 10 | Oct , 2017
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IMDB 5 | Apr , 2023
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IMDB 0 | Jan , 1994
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IMDB 0 | Jan , 1989
Bigfoot: America's Abominable Snowman
IMDB 0 | Jul , 1968
Bigfoot: America's Abominable Snowman focuses on the legend of Bigfoot/Sasquatch throughout North America. Dr. John Napier acts as host and analyst of the evidence presented in the documentary, including Roger Patterson's famous October 1967 film allegedly showing a Bigfoot in Northern California (Bluff Creek). Numerous eyewitness testimonies are given along with expert opinions on the subject matter.We Don't Care About Music Anyway
IMDB 6.3 | Sep , 2009
From radical turntablism (Otomo Yoshihide) to laptop music innovation (Numb), via classical instrument hijacking (Sakamoto Hiromichi), Tokyo's avant-garde music scene is internationally known for its boldness. While introducing some of the greatest musicians of this scene, "We Don't Care About Music Anyway..." offers a kaleidoscopic view of Tokyo, confronting music and noise, sound and image, reality and representation, documentary and fiction.The Darkness of Day
IMDB 6.7 | Nov , 2009
The Darkness of Day is a haunting meditation on suicide. It is comprised entirely of found 16mm footage that had been discarded. The sadness, the isolation, and the desire to escape are recorded on film in various contexts. Voice-over readings from the journal kept by a brother of the filmmaker’s friend who committed suicide in 1990 intermix with a range of compelling stories, from the poignant double suicide of an elderly American couple to a Japanese teenager who jumped into a volcano, spawning over a thousand imitations. While this is a serious exploration of a cultural taboo, its lyrical qualities invite the viewer to approach the subject with understanding and compassion.The Memories of Angels
IMDB 8 | Sep , 2008
Documentary, poetry and essay rolled into one, this compilation of stockshots and clips sourced from NFB productions of the '50s and '60s offers a singular lesson in Montreal history - its famous figures, symbolic places, and ordinary citizens. Without commentary, the film moves from the red light district to Jean Drapeau, the Jacques-Cartier market, department stores downtown, textile factories, and the construction of Place Ville-Marie. We meet Geneviève Bujold, Oscar Peterson, Monique Mercure, and Igor Stravinsky. We hear Raymond Lévesque, Jean Drapeau, and René Lecavalier.Drive-In Movie Memories
IMDB 7.3 | Aug , 2001
A nostalgic, informative history of drive-in movie theaters, featuring extensive archival photographs and interviews with Leonard Maltin, John Bloom, Samuel Z. Arkoff, Barry Corbin and many others... Drive-In Movie Memories is a film celebration of America's greatest icon of youth, freedom and the automobile. What began as an auto parts owner's business venture to make some easy money accidentally became a magical place where romance, fun and a sense of community flourished. This film chronicles the drive-in's birth and development, its phenomenal popularity with audiences of all ages, its tragic decline, and its inevitable comeback as a classic form of Americana.The Avett Brothers at Red Rocks
IMDB 0 | Aug , 2020
On July 7, 2019, they celebrated their sixth consecutive year of sold-out concerts at Red Rocks Park and Amphitheater, the world’s only naturally-occurring, acoustically perfect amphitheater, located just outside of Denver. Over 9,000 fans danced, sang and cheered — it was the perfect way to spend a warm summer evening. This special features performances of “Live and Die,” “Down with the Shine,” “Head Full of Doubt,” “High Steppin,'” “Ain’t No Man,” “Laundry Room” and more.Runrig: Day of Days (The 30th Anniversary Concert)
IMDB 9 | May , 2004
Filmed at Runrig's 30th Anniversary Concert at Stirling Castle in Scotland in the summer of 2003. It feature the songs: Going Home - Hearthammer - Protect and Survive - Big Sky - Skye - Hearts of Olden Glory - Siol Ghoraidh - The Engine Room - Every River - Only the Brave - Dance Called America - Pride of the Summer - Proterra - Running to the Light - The Stamping Ground - Maymorning - Faileas Air An Airigh - Rocket to the Moon - Loch Lomond - Book of Golden Stories.A Child’s Garden and the Serious Sea
IMDB 6.3 | Jan , 1991
"In his description for A CHILD'S GARDEN, Brakhage quotes from poets Ronald Johnson and Charles Olson (and cites Johnson's poem "Beam 29" as inspiration). But the film also vaguely calls to mind William Blake—more perhaps for his art than his poetry: there is both a sense of darkness and of mystical transport in Brakhage's images. The first film in the loose "Vancouver Island" quartet, Brakhage films locations around the British Columbia locale where his second wife, Marilyn, grew up. He films land, sea, and sky and intercuts frequently between them. Shots are often out-of-focus, to accentuate color and light; they are hand-held, upside down, and fleeting. All of this is no surprise for those who know Brakhage's work: anything and everything is valid, as long as it works." - Cine-File.infoWhat The Future Sounded Like
IMDB 5.3 | Mar , 2007
From Dr Who to The Dark Side of the Moon to modern day dance music, the pioneering members of the Electronic Music Studios radically changed the sound-scape of the 20th Century. What the Future Sounded Like tells this fascinating story of British electronic music. What The Future Sounded Like mixes experimental visual and sonic techniques with animation and never-seen-since archival footage. A sonic and visual collage, this documentary colors in a lost chapter in music history, uncovering a group of composers and music engineers who harnessed technology and new ideas to re-imagine the boundaries of music and sound.Dont Look Back
IMDB 7.4 | May , 1967
In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.Once Were Brothers: Robbie Robertson and The Band
IMDB 6.8 | Feb , 2020
A confessional, cautionary, and occasionally humorous tale of Robbie Robertson's young life and the creation of one of the most enduring groups in the history of popular music, The Band.Without Getting Killed or Caught
IMDB 0 | Jul , 2021
Follow Guy Clark, Susanna Clark, and Townes Van Zandt as they rise from obscurity to reverence: Guy, the Pancho to Van Zandt’s Lefty, struggling to establish himself as the Dylan Thomas of American music, while Susanna pens hit songs and paints album covers for top artists, and Townes spirals in self-destruction after writing some of Americana music’s most enduring and influential ballads.Strokkur
IMDB 4.8 | Jul , 2011
In the beginning the idea was to make something from nothing, in a neutral and unknown place. Collect images and sounds instead of producing them. The camera, the microphone and the mini-amplifier: tools that take away and then give back. We defined a rule: the sound shouldn't illustrate the image and the image shouldn't absorb the sound. Less than a hundred kilometres from Reykjavik we found Strokkur. For three days we saw and heard the internal dynamics of the crevice: the boiling water that spat out every seven minutes and the thermal shock, given the eighteen degrees below zero of the atmosphere.AURORA HAIK
IMDB 0 | Dec , 2019
The music they make gives us joy and comfort. Now they will get something back. Christine Dancke brings pop stars on the road trip with surprises and delicious music. This time with the famous Norwegian singer AURORAAmy
IMDB 0 | Aug , 2004
'Amy, is narrated by a model (Liisa Repo-Martell) who’s painfully uncomfortable with her own body and “old woman’s” face. Astonishing closing image is a tightly composed telephoto shot on the start of a marathon race among young schoolgirls, dashing toward and then across the screen in ultra-slo-mo, and accompanied by a girls’ chorus hauntingly singing Brian Wilson’s God Only Knows. Widely eclectic lensing and looks in various media and in color and black-and-white flow nicely from one section to the next, aided by gifted editor Mark Karbusicky.' ~ Robert Koehler, Variety - Part 7 of 7-part bio-feature Public Lighting (2004).Timeless: The Composer/Arranger Series (Arthur Verocai)
IMDB 5 | Jan , 2010
Folk-jazz composer/arranger Arthur Verocai was born in Rio de Janeiro. He has created challenging arragements and compositions for Brazilian artists Jorge Ben, Ivan Lins, Leny Andrade and Gal Costa. In 1972 Verocai recorded a self-titled solo LP. It is a stunningly innovative effort. It puts Verocai into a rarified field with the heavy string oriented music of Charles Stepney, David Axelrod and Frank Zappa. Released in a period marked by the Brazilian military government, the album fared poorly. Following its re-issue in 2003, the album has become a highly influential oft sampled classic (see Ludacris, MF Doom and Little Brother). The performance of this seminal 1972 record in its entirety brought the capacity Luckmann crowd to a stand still. According to Verocai, 'he had never played the record, alive or dead!' His delight can be seen on the DVD. The music has been mixed by Verocai himself in Rio. History turned on its head and musical justice served.