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Documentary
A 6-year-old Tibetan boy leaves his family and flees to a refugee camp in northern India.
Casts Olo, Momo Chenga, Lamo Tsuo
IMDB 0 | Oct , 2010
IMDB 6.3 | Feb , 1972
IMDB 5 | Nov , 1974
IMDB 6 | May , 1972
IMDB 0 | Jan , 2009
IMDB 9 | Dec , 2007
IMDB 6.9 | Jul , 1926
IMDB 5.8 | Mar , 1976
IMDB 0 | Apr , 2020
IMDB 0 | Jan , 2011
IMDB 5.8 | Oct , 2003
IMDB 10 | May , 2016
IMDB 0 | Jun , 2013
IMDB 9.5 | May , 2020
IMDB 10 | May , 2020
IMDB 0 | May , 2020
IMDB 0 | Feb , 2019
IMDB 10 | Feb , 2024
IMDB 6.2 | Jan , 1965
MOVIE COMMENTS
SIMILAR MOVIES
Portrait Serie - Jonas Mekas
The Act of Seeing with One's Own Eyes
The Stars Are Beautiful
Vampir Cuadecuc
Blood of Two
Women 50 Minutes
Emak-Bakia
Take the 5:10 to Dreamland
Blind Bombing, Filmed by a Bat
The Light of the Golden Sun
Calais: The Last Border
Eighteen fragments from Malcolm Le Grice’s After Leonardo
Chaja & Mimi
Amir Hetsroni: Case Study
Refugee Conversations
#Familiar #Touch #Lost #Figures
Ara crema
Embodiment of Darkness
Le Tibet face à la Chine, le dernier souffle ?
Now!
SIMILAR MOVIES
Portrait Serie - Jonas Mekas
IMDB 0 | Oct , 2010
A short film portrait of legendary filmmaker Jonas Mekas, talking about the Buddha and the meaning of life.The Act of Seeing with One's Own Eyes
IMDB 6.3 | Feb , 1972
At a morgue, forensic pathologists conduct autopsies of the corpses assigned. "S. Brakhage, entering, WITH HIS CAMERA, one of the forbidden, terrific locations of our culture, the autopsy room. It is a place wherein, inversely, life is cherished, for it exists to affirm that no one of us may die without our knowing exactly why. All of us, in the person of the coroner, must see that, for ourselves, with our own eyes. It is a room full of appalling particular intimacies, the last ditch of individuation. Here our vague nightmare of mortality acquires the names and faces of OTHERS. This last is a process that requires a WITNESS; and what 'idea' may finally have inserted itself into the sensible world we can still scarcely guess, for the CAMERA would seem the perfect Eidetic Witness, staring with perfect compassion where we can scarcely bear to glance." – Hollis FramptonThe Stars Are Beautiful
IMDB 5 | Nov , 1974
We move back and forth between scenes of a family at home and thoughts about the stars and creation. Children hold chickens while an adult clips their wings; we see a forest; a narrator talks about stars and light and eternity. A dog joins the hens and the family, while the narrator explains the heavens. We see a bee up close. The narrator suggests metaphors for heavenly bodies. Scenes fade into a black screen or dim purple; close-ups of family life may be blurry. The words about the heavens, such as "The stars are a flock of hummingbirds," contrast with images and sounds of real children.Vampir Cuadecuc
IMDB 6 | May , 1972
An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.Blood of Two
IMDB 0 | Jan , 2009
The first collaboration between Matthew Barney & Elizabeth Peyton, Blood of Two is a unique, site-specific work that draws its references from Hydra itself – the surrounding environment, animals, humans, and local traditions are all part of the project in equal measure. Blood of Two centers on the former function of the Slaughterhouse and the customs of Hydra to establish connections between paganism and religion, ancient and modern, the ritualistic and familiar. As much as its conflicted terms strive for balance and fusion, it is Blood of Two’s greater resistance to these impulses, its failure to surrender unconditionally to them that ultimately counts, as a network of overlaps and crisscrosses.Women 50 Minutes
IMDB 9 | Dec , 2007
A representation of queer and feminist imagery that was mainly shot in the Qinghai-Tibetan Plateau, remote and developing areas in southwest China, and metropolitan cities like Beijing from 2000 to 2004 to document the social changes in contemporary China. The director sympathetically and erotically represents a variety of women, including women as laborers, women as prayers, women in the ground, women in marriage, and women who lie on the funeral pyre with their dead husbands. Her camera juxtaposes the mountains and rivers in old times, the commercialized handicrafts as exposition, the capital exploitation of the elders’ living space, and the erotic freedom of the young people in a changing city.Emak-Bakia
IMDB 6.9 | Jul , 1926
Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many techniques Man Ray used in his still photography (for which he is better known), including Rayographs, double exposure, soft focus and ambiguous features. The film features sculptures by Pablo Picasso, and some of Man Ray's mathematical objects both still and animated using a stop motion technique.Take the 5:10 to Dreamland
IMDB 5.8 | Mar , 1976
Its slow somnambulic rhythm, its animalistic jungle sounds as well as the eerily mixed images create a dream mood that comes closest to my actual dreaming-feeling. The long black phases between the sequences are as important as the images themselves because they leave empty space where the "echo" of the last image can seep through without interfering with the following image. But our logical mind still somehow feels compelled to construe some kind of sense, parallel, or some erratic story out of it.Blind Bombing, Filmed by a Bat
IMDB 0 | Apr , 2020
During WWII, the Japanese army developed experimental balloons able to cross the Pacific Ocean and reach the West Coast of North America in 3-6 days. Armed with explosives, they were given the code name fu-go, or fusen bakudan (“fire balloons,” or balloon bombs) in an attempt to instill a culture of fear like that caused by the far more deadly American firebombing of Japanese cities. The U.S. responded by enacting a censorship campaign, requesting newspapers avoid reports of fu-go landings or sightings. Living near the remains of a fu-go launch site in Fukushima Prefecture, Takeuchi mimics their flight take-off using a drone camera, and, traveling to North America, follows their arrival across the shoreline and rural landscapes, using a bat’s echolocation as narrative device to place fu-go and Fukushima as echos across history.The Light of the Golden Sun
IMDB 0 | Jan , 2011
More than 50 years ago, the Tibetan Bon Buddhist tradition was driven from its refuge deep within the Himalayas. This is the story of the long and difficult journey that followed. Told through the lens of one Bon teacher born in exile -- Tenzin Wangyal Rinpoche -- this film reveals something very precious and very old: a rich spiritual heritage, hidden for millennia, whose secret teachings are only now becoming known to the world. There may be no unbroken spiritual tradition more ancient than Bon, which traces its beginnings to a buddha who predates Shakyamuni by thousands of years. Yet this tradition today may be facing its greatest challenge thus far: to preserve its rich heritage beyond the land of its birth.Calais: The Last Border
IMDB 5.8 | Oct , 2003
A stark portrait of a town in decline. Brilliant juxstaposition between the scoff faced English day trippers searching for cheap booze, and the cold, snivelling asylum seekers existing on the streets. Thrown into the mix are two English ex pats, trying to make money against the odds.Eighteen fragments from Malcolm Le Grice’s After Leonardo
IMDB 10 | May , 2016
"This installation or performance work puts my own earlier film of the Mona Lisa (1973) through another stage of transformation – my own irretrievable self of some 34 years ago is now also part of the subject I first saw the ‘actual’ ‘Mona Lisa’ when I was about thirteen. Of course I had seen dozens of reproductions in books and postcards by then and the popular mythology of the enigmatic smile was already well engrained in my mind. My strongest impression, as I recall, was how small and unsurprising it was – a heavily protected cultural icon – no longer really a picture – and I was much more excited by the painting of the distant landscape than by the face. My own ‘version’ of ‘la Giaconda’ was never an homage, nor like Marcel Duchamp’s ‘L.H.O.O.Q’, an attack on its cultural power. Instead it came from a fascination with change and transformation – maybe also with arbitrary appropriation." Malcolm Le GriceChaja & Mimi
IMDB 0 | Jun , 2013
Chaja Florentin and Mimi Frons have been best friends for 83 years. Born and raised in Berlin, they had to escape from the Nazis to Palestine with their families in 1934. They talk about their complicated relationship with Berlin in a Tel Aviv café where they meet everyday. A film about friendship, homeland and identity.Amir Hetsroni: Case Study
IMDB 9.5 | May , 2020
A fascinating journey with Israel’s notorious provocateur, Prof. Amir Hetsroni, into the depth of his romantic and interpersonal relationships, alienated childhood, and public persona versus his self-identity.Refugee Conversations
IMDB 10 | May , 2020
REFUGEE CONVERSATIONS / PAKOLAISKESKUSTELUJA is a 90-minute documentary film. Its themes are: refugees, racism, xenophobia, Islam, Christianity and compassion — or the lack of it. What is the meaning and role of these in Finland, a country which according to many studies is the happiest country in the world?#Familiar #Touch #Lost #Figures
IMDB 0 | May , 2020
Can we reinvent our lost queer histories? #Familiar #Touch #Lost #Figures is about queer ancestry and diaspora, a hybrid of cultural traditions and contemporary queer identity. It explores feelings of guilt and joy, and intimacy between femmes of colour.Ara crema
IMDB 0 | May , 2020
Embodiment of Darkness
IMDB 0 | Feb , 2019
A dark formless body moves . Formlessness of an entity is because a constant change in form is perceived as formlessLe Tibet face à la Chine, le dernier souffle ?
IMDB 10 | Feb , 2024
As the crucial question arises of the future succession of the Dalai Lama, we take a look back at the tormented history of the "Land of Snows" which lives under Chinese domination and which remains a geopolitical issue of the first order. A valuable documentary that gives voice to a people that China is trying to permanently silence.Now!
IMDB 6.2 | Jan , 1965
Using morgue photos, newsreel footage, and a recording by Lena Horne, Cuban filmmaker Santiago Alvarez fired off 'Now!', one of the most powerful bursts of propaganda rendered in the 1960s.