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The Oslo Diaries

Jan 21, 2018 | IMDB 7.8

94 min Watch Now

Documentary

A group of Israelis and Palestinians come together in Oslo for unsanctioned peace talks during the 1990s in order to bring peace to the Middle East.

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In this first project of Kim Longinotto while she was a student at Englands National School of Television and Film she filmed the daily life in a girls boarding school situated in an old isolated castle in Buckinghamshire. Until she was 17, Longinotto lived in this boarding school, finaly she run away from there. In this dark and expressive black and white documentary, Longinotto exposes the repressive school from the students perspective. It seems to be a kind of miniature state with bizzare rules, idigestibel food and absurd punishments. The documentary begins with an graduation ceremony. The director blows her own trumpet, afterwards the film describes the daily routine of schoollife. The film ends up with the students leaving for holidays. As a result of this documentary, the boarding school was closed down one year after the release of the film.
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Ricardo was once Sara, a homeless HIV positive transvestite, living in the underbelly of Manhattan. Today he is a churchgoing, married man, "saved" by a Dallas ministry. He has renounced his homosexuality, but is his conversion complete? Susana Aiken and Carlos Aparicio offer an intimate look at Ricardo's transformation.
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Somewhere in Myanmar is a forest rich in amber and controlled by the Kachin Independence Army (KIA). Most of its inhabitants work in a mine, digging the earth night and days in the hope of finding the precious ore that will get them out of poverty. But on top of the excruciating hardship of the work, they also have to fear an attack from the army.
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Laxmi Agarwal, a human rights activist and a survivor of acid violence, gazes back at us, as we contemplate together, the meaning of memory and loss. What does it mean to survivors of acid violence? What does it mean to people in their environment? How do the two world-views interact? What do concepts of 'fear', 'power', 'innocence' and 'beauty' mean to us? The Newborns attempts to provide a lens to the survivors of acid violence, to look forward and gaze back. They take us through the ennui of their domestic and public spaces in a nameless dystopian city, its factories, houses and motels, and its promises, never honored.
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