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Animation
A showcase of Paper Rad's individual and group creations in the form of Trash Talking, a show for kids with bizarre characters trying to find their place in the world.
Casts Ben Jones, Jacob Ciocci, Jessica Ciocci
IMDB 8.5 | Jun , 2014
IMDB 5.8 | Jan , 1979
IMDB 6.8 | Jun , 1984
IMDB 6.1 | Jan , 1985
IMDB 6.5 | Jul , 1986
IMDB 6.6 | Jan , 1987
IMDB 6.7 | Oct , 1991
IMDB 6.5 | Apr , 1993
IMDB 6.1 | Aug , 1992
IMDB 6 | Jun , 1993
IMDB 6.9 | Dec , 1993
IMDB 6.3 | Oct , 2000
IMDB 6.4 | Jan , 1991
IMDB 6.1 | Jun , 2003
IMDB 5.5 | Jan , 1995
IMDB 5.2 | Apr , 2004
IMDB 0 | Sep , 1991
IMDB 4.8 | Apr , 1976
IMDB 4.8 | Jan , 2007
IMDB 5 | Jan , 1996
MOVIE COMMENTS
SIMILAR MOVIES
Picture Particles
Nocturna Artificialia
The Cabinet of Jan Švankmajer
This Unnameable Little Broom
Street of Crocodiles
Rehearsals for Extinct Anatomies
The Comb
Anamorphosis
Stille Nacht II: Are We Still Married?
Stille Nacht III: Tales from Vienna Woods
Stille Nacht IV: Can't Go Wrong Without You
In Absentia
The Calligrapher
The Phantom Museum: Random Forays Into the Vaults of Sir Henry Wellcome's Medical Collection
The Summit
Between Science and Garbage
1 Seconde
Gloria Mundi
TV Sheriff and The Trailbuddies: Not 4 $ale
Animal Charm: Golden Digest
SIMILAR MOVIES
Picture Particles
IMDB 8.5 | Jun , 2014
Individual elements from a carrier of visual information have been isolated and used to construct alternative visual reagents. Repetition is administered as a binder to tame the wild particles in motion, achieving a golden ratio in the mind's eye.Nocturna Artificialia
IMDB 5.8 | Jan , 1979
Enigmatic, stop-motion, animated story of a man's day.The Cabinet of Jan Švankmajer
IMDB 6.8 | Jun , 1984
In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.This Unnameable Little Broom
IMDB 6.1 | Jan , 1985
Stop-motion animated short film in which a puppet on a trike captures a puppet bird-man.Street of Crocodiles
IMDB 6.5 | Jul , 1986
A puppet, newly released from his strings, explores the sinister room in which he finds himself.Rehearsals for Extinct Anatomies
IMDB 6.6 | Jan , 1987
Stop-motion animated short film in which, among other things, a man made of wire looks malevolent.The Comb
IMDB 6.7 | Oct , 1991
A porcelain doll’s explorations of a dreamer’s imagination.Anamorphosis
IMDB 6.5 | Apr , 1993
The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.Stille Nacht II: Are We Still Married?
IMDB 6.1 | Aug , 1992
Stop-motion animated short film with a white ball, a rabbit, and a girl, and a voice singing "Are We Still Married".Stille Nacht III: Tales from Vienna Woods
IMDB 6 | Jun , 1993
Near an extraordinary chair with many legs, a hand is visible gripping an edge. The hand is weathered, the fingers cracked and scarred. The end of a rifle appears and a shot fires. The bullet is visible whirling through space; it caroms and then goes through a pine cone. A long spoon emerges from a drawer in the chair and stretches toward the hand. The bullet is on the spoon. Later, the hand holds the bullet between two fingers; another shot is fired.Stille Nacht IV: Can't Go Wrong Without You
IMDB 6.9 | Dec , 1993
Short animated film featuring the song "Can't Go Wrong Without You" by His Name Is Alive.In Absentia
IMDB 6.3 | Oct , 2000
A woman sits alone on a chair at a table in a room on one of the top floors of an asylum. Bright spot lights dot the night, sometimes shining on her window. She sharpens pencils and writes on a page in a copy book. The pencil point often breaks under her fingers' force. She places broken points outside the window on the sill. A satanic figure is somewhere nearby, animated but of straw or clay, not flesh. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot. Is she writing to her husband? "Sweetheart, come." Written byThe Calligrapher
IMDB 6.4 | Jan , 1991
With harpsichord music in the background, a dandy, seated at a table, plucks a quill pen from a ceiling full of them above him, dips it in ink, thinks, then draws a straight line down the page in front of him, out of which sprout six more quill pens, each held by a hand. The calligrapher moves all the hands and pens in unison, drawing an elaborate feathered wing, which comes to live, peeling off the page, and, now a quill pen, slips in to his hand. He tucks it behind his left ear.The Phantom Museum: Random Forays Into the Vaults of Sir Henry Wellcome's Medical Collection
IMDB 6.1 | Jun , 2003
A display at the strange and wonderful artifacts in a collection of medical curiosities.The Summit
IMDB 5.5 | Jan , 1995
Two men seek to negotiate an agreement of international significance.Between Science and Garbage
IMDB 5.2 | Apr , 2004
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.1 Seconde
IMDB 0 | Sep , 1991
“When he shot Une seconde (4 min., 20 sec.), a video animation without computer graphics, Richard Angers tried to adapt Norman McLaren’s animation techniques to video shooting and editing. A long-term solitary task, in which images are moved by hand, centimetre by centimetre, in which one plays with the number of images per second, and in which the ± pure quest for effects is more important than the message”. BLANCHARD, Louise. “Les vidéastes sont au ‘rendez-vous’”, Le Journal de Montréal, Montreal (9 February 1992), p. 38.Gloria Mundi
IMDB 4.8 | Apr , 1976
An actress of political torture movies made by her husband has to finish his latest film and arrange a screening for distributors while the husband, who is also secretly an anarchist revolutionary, is away for some resistance operation.TV Sheriff and The Trailbuddies: Not 4 $ale
IMDB 4.8 | Jan , 2007
Emerging from the LA underground in year 2000, a self-proclaimed "video band" called TV Sheriff & The Trailbuddies hit the scene with their twisted take on performance art and VJ remixing. They have since taken their unique act to venues worldwide, providing animated commentary on the state of mind control in the USA. The Trailbuddies focus on the banality of television, creating rhythmic collages from appropriated clips of the most absurd broadcast moments. And besides their virtuoso sampling, the madcap ensemble creates original—and hilarious!—karaoke-style melodies on mass-media manipulation. Behind TV Sheriff & The Trailbuddies is the ingenious, Emmy-award-nominated Davy Force, an exceptional combination of brilliant director and hands-on computer artist. His recent projects include music videos for Devo, animated commercials for Bandai and the show open for Tim & Eric's Awesome Show Great Job.Animal Charm: Golden Digest
IMDB 5 | Jan , 1996
Animal Charm makes videos from other people's videos. By compositing TV and reducing it to a kind of tic-ridden babble, they force television to not make sense. While this disruption is playful, it also reveals an overall 'essence' of mass culture that would not be apprehended otherwise. Videos such as Stuffing, Ashley, and Lightfoot Fever upset the hypnotic spectacle of TV viewing, revealing how advertising creates anxiety, how culture constructs "nature" and how conventional morality is dictated through seemingly neutral images. By forcing television to convulse like a raving lunatic, we might finally hear what it is actually saying.